There seems to be a moment now where journalism is front and center in a number of new films. Here’s a recap of what’s out there: we would recommend you go to see them. Doing so will certainly increase your awareness of what the media deal with….as well as giving you fodder for conversations with journalists. What deep, dark secrets might a wine writer uncover? One never knows!

Truth is based on television news producer Mary Mapes’ memoir Truth and Duty: The Press, the President and the Privilege of Power. The film focuses on the 60 Minutes report questioning President George W. Bush’s military service, which ended in Dan Rather’s resignation. Robert Redford plays Dan Rather.

Spotlight focuses on how The Boston Globe’s Spotlight team investigated the sex abuse scandal in the Catholic church in Massachusetts and won a Pulitzer Prize for their work. The cast includes Mark Ruffalo, Rachel McAdams, Michael Keaton, Stanley Tucci, Liev Schreiber and Billy Crudup.

The Program hasn’t arrived in the U.S. yet: based on David Walsh’s book Seven Deadly Zins, it tells the back story of a journalist’s attempt to expose Lance Armstrong’s doping.

Snowden, based on the book The Snowden Files, directed by Oliver Stone, re-creates the leaking of classified documents. It stars Joseph Gordon-Levitt, Shailene Woodley, Nicolas Cage and Tom Wilkinson.

Black Mass, starring Johnny Depp and Benedict Cumberbatch, Kevin Bacon, brings a book about mobster Whitey Buger to life.

The producer of Truth recently explained that “one of the things that makes journalism stories a genre filmmakers go back to is they contain a lot of the qualities of great storytelling. You have people with very ambitious goals who often have to climb mountains to achieve them. That’s the stuff of real drama.”

You may or may not have “the stuff of real drama” waiting in your vineyard or in your production area between the barrels and the stainless steel tanks, but by staying current on how popular culture paints the picture of journalism today, you’ll be ahead of the game.

There are wine books and then there are WINE BOOKS, with the thought in extra-large font and spotlit.

Two comprehensive wine books have been updated and are being released this fall: Jancis Robinson’s Oxford Companion to Wine and Karen MacNeil’s The Wine Bible. If you spend your days marketing wines, these are books which should be within reach. You may have earlier editions….but you really might consider springing for these revised versions.

Take a sec away from your to-do list to think about the enormous effort which goes into writing extremely comprehensive books such as these. What is required?

• A superb palate
• Great organizational skills
• A serious memory
• A sense of humor and not-taking-yourself-too-seriously
• Creativity
• A love of language in all its nuances
• Familiarity with a number of foreign languages
• A good copy editor/spell checker nearby, whether human or virtual
• Patience.

That said, we would like to recommend that you read two recent articles about these authors: a ‘think piece’ Jancis Robinson wrote which appeared in The Financial Times on September 4, and an interview with Karen MacNeil from the September 8 St. Helena Star.

Among other things, Jancis reflects on what it means today to be considered a ‘wine expert,’ and how social media has changed that definition.

“…as someone celebrating her 40th year writing about wine, I have to concede I am considered by many as a wine expert. However, I am keenly aware of the sands that have been shifting under the notion of expertise in this era of instant communication and (often anti-) social media…..

The wine market today is more crowded than ever. As wine production has transformed itself from peasant activity to plutocrat’s bucolic folly, and as drinking wine has become a social signifier on every continent…..consumers are presented with a baffling array of choices. And, as producers strive to make better and better wine every year just to stay in the game, so they have to shout louder and louder to get attention…..

This may partly explain why some days no fewer than six or seven boxes of unsolicited samples arrive on my doorstep — more than ever before — in the hope that I will publish a tasting note on them. But could it also have something to do with the fact that, even in this era of the citizen critic, my 40 years of visiting vineyards, listening to winemakers, watching trends emerge, making comparisons and seeing wines evolve from barrel to decades in bottle might just be regarded as worth something?…I have gone from being a unique provider of information to having to fight for attention….”

Well said, Jancis, and a cautionary note to all the PR and marketing folk out there contemplating their sampling lists.

Next, let’s acknowledge Karen MacNeil’s Wine Bible.  She talked about the enormous work involved in writing it: “…I spent 10 years creating the first version of The Wine Bible and four more years completely rewriting it and updating the maps, charts and photos for this new version,” she said….”

And then there’s the book’s huge success: “…since its release in 2000 it has sold more than 750,000 copies, making it the best-selling single volume wine book in the history of U.S. publishing…”

One key takeaway from learning about Karen’s work and this impressive book might be R-E-S-P-E-C-T. Extend that courtesy to all wine writers: you may never know how much work has gone into their lives as writers, what their work load is, what pressures and politics sway them as they pursue something as ‘straight forward’ as wine writing.

Here’s a topic we haven’t yet addressed on SWIG: The Media Event.

There are lots of pros and cons about whether gathering a table full of journalists is still meaningful. Here’s an overview of this topic. It’s very fresh in my mind because I just orchestrated one.

Here are good reasons to put on media events:

1. Writers who can’t attend are receiving an invitation and outreach from the winery, so they’ll be getting a glimpse of the winery’s personality and of course being reminded that the winery exists! This may prompt them to schedule a visit or at the very least, stay in closer touch with the winery.
2. Coverage! Articles! Blog posts! Tweets! An Instagram image or two! Whatever writers do attend will get to know the winery and its principals. If the event is done well, the writers will leave with a story.
3. Live media training for your principals! Good or bad, it’s your own stage, a moment for the winemakers and owners to stand up and deliver the winery’s message, whether in short sound bites or longer ones.
4. What IS your winery in terms of style and entertaining? Just executing the event will be helpful in defining the winery’s unique personality in these areas. Casual? Formal? Seated food service or buffet? What type of glassware? A walk through the vineyards or cellar or caves before the tasting or meal? This will require that the team plans all of the crucial details which seem small at the time but aren’t—-how tall are the flower arrangements? Do media guests leave with a gift? Is there assigned seating? What kind of printed materials are provided?
5. Each journalist has a different following, different eyeballs who follow his or her work. Good to know and also a factor in selecting whom you invite.

Here’s an often-cited reason for NOT putting on media events: it’s the idea that journalists sitting together will be busy spying on each other and feel that they’re not getting the winery’s undivided attention and an exclusive. Wrong, in my opinion. At the very least, a media event builds camaraderie amongst the winery team and its guests. An event underscores that there is a greater wine community and we can all learn from each other.

Now for a few helpful hints:

Plan way ahead. Be sure to invite your guests at least a month ahead. Follow up, but diplomatically.

Artful. Concise. Elegant. Informative. Newsworthy. Those are the keys to a compelling invitation, whether you email it or it’s sent in the mail.

Follow up a day or so before, including precise directions as well as a day-of phone number in case they need to contact you at the last minute.

The event: keep it lively and interesting; move around at the winery; consider having a station with wine and a nibble as your guests take a walk or tour before sitting down to a tasting or meal. In other words, don’t stay in the same room or place for the entire event.

The food: minimal is really fine. No need to try to dazzle; the wines should be the focus, with ample water and bread and spit cups flanking the glasses. That said, less is more but the ‘less’ needs to be MORE. Anything you serve or present should be superb quality.

The people: put together the event so that your winery’s personality is expressed through as many principals as are appropriate: the proprietor welcomes, the winemaker presents the wines, the vineyard manager sets the scene. Don’t forget to recognize the chef and ask him or her to comment on how the menu was constructed.

A caveat: be ready for rudeness. Your guests unexpectedly bringing companions. Standing up in the middle of the meal to promote a side business they have. Inappropriate clothing. Too much perfume or cologne!  I’ve seen lots more in my time…..

Then there’s the relative rudeness of today’s world: guests may ask to hop on the winery’s wi fi. They may text, tweet and talk on their cellphones throughout the event. Is this social media support or not? Only you & your team can judge that. If a Baked Alaska explodes, you might be glad someone captured it on their iPhone.

Follow-up: be minimal. Don’t hound your guests. If they indeed got a story, you’ll know soon enough.

Manage expectations: even if everything is a smashing success…20 guests inevitably will not mean 20 stories.